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Revieuw by
Artemi Pugachov
- Sven
Hansen is a musician who started composing Electronic Music
around 1989. His first project was called Electronic Universe
which had two cassette releases, before he switched to his own
name and released the well-known album Concerto In Epsilon in
1996. Around 2000 all subsequent works are released under that
name.
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Babylon
features sort of a fictious musical story about the ancient city
of Babylon. It's rather diverse musically, with melodic and
sequenced tracks dominating the picture. One thing to note is the
use of percussion on many tracks. The title track Babylon
features exactly that: percussive rhythms and wonderful synth
solos.
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"Hurrian
Hymn" is based on a score that was found on a clay tablet
during archeological digs in the place where Babylon was. It
dates back to approximately 1400 BC and is the oldest musical
score known to humankind. I imagine how difficult it must've been
to translate the score to the contemporary scale so that it could
be played on todays' instruments. The melody is used with
permission.
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"Long
Ago Lullaby" is very soothing and sounds exactly as the
title suggests. Sometimes Sven's music reminds me on Frank Van
Bogaert's style - it has a similar sense of thematic development
and on this album incorporates some World Music elements,
resulting in a melodic kind of stuff that brings some of Frank
Van Bogaert's work to mind.
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"Stars"
features a nice resonating synth background coupled with cricket
sounds and some sparse synth notes.
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"Gardens"
is a relaxed, sequencer-based number and is perhaps the best
track on the entire album.
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"The
Coming of the Warriors" is rather dramatic (also
sequencer-based). It's sort of a continuation of the previous
track. "Kuruwarriors" is a longer track with some
heavier moments.
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On
the other hand, I just couldn't get into
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"Nuujah".
The music itself is rather nice but the repeating voice samples I
found rather tedious and even annoying. Also the track could've
been shorter.
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"Uzany's
Army" is rather triumphant. It's a nice track.
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The
last track, called "Sands of Time", finishes this album
on a floating, a tad haunting note. There is also a twelfth track
annouced on the sleeve that lasts for 7 seconds. It's there, but
in fact it consists of just silence. I will take the risk of
recommending this album to fans of Frank Van Bogaert. Even if
there is some sequencer stuff here, I think they will find the
bulk of this album to their liking.
-
Revieuw
by Artemi Pugachov.
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